“It’s different than having someone who’s an A&R guy, who doesn’t understand the terms. “The beauty of having somebody like Fitz is he was really able to speak the language with me,” Frost says. “And as much as it’s painful, it’s also rewarding to get to the goal.”įrost adds that Fitzpatrick’s own hitmaking track record made the mentoring easier to accept - and that much more valuable. ![]() Creatively you have to be hard on yourself and have to be willing to look at something, even if you have an affinity for it, and realize, ‘This is not good enough.’ “Fitz was almost like my boxing coach to be there and say, ‘That’s good, but you need to be better,’ just beating things up and taking them as far as they could go,” Frost explains. Frost calls that moment and Fitzpatrick’s involvement “the creative rebirth of this project” and feels like it’s exactly what Gold Rush needed.
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